A Editorial Meticulous Line Drawing with Modern Vector Flat Color

A half-body portrait of the character [Person], keeping their original character traits unchanged (face shape, hairstyle structure, bang shape, facial proportions and temperament), placed lower-center of the frame with proper shoulder line, reserved posture, slightly turned body glancing back; hairstyle given a Ming-dynasty styling without changing the original hair structure or length, with simple clean hairpins and a restrained touch of gilded gold.

3:4 vertical format, retaining about 55% large blank space in the upper portion of the frame; main subject lower-center; a single flower-and-bird branch extends diagonally from the upper right into the blank space.

Extremely restrained two-tone value shading to express volume; clean sharp edges, no noise, no thick impasto, avoiding photographic depth-of-field blur and 3D rendering highlights.

A warm silk/sized-paper light-texture background, with a faint grey-cyan atmospheric feel in the blank areas; clear, refined and dignified Ming-dynasty atmosphere.

Meticulous gongbi line drawing combined with modern vector flat color; facial features and garment folds outlined with gongbi-level fine lines with subtle weight variation, skin tone and folds shaped with thin layered gongbi washes but overall using modern vectorized zonal flat color; elegant, correct, clear and restrained.

Ming-style stand-collar short jacket and parallel-front beizi over-robe with thin narrow trim, lower garment showing only the upper section of a plain mamian skirt; sparse plum branches rendered with dry-brush line feel, several pale pink plum blossoms, with the animal [Animal] perched quietly and delicately on a plum twig. Avoid large ink-wash bleeds, coarse black comic lines, neon high saturation, and busy ethnic patterns. Output high-definition detail, clean lines, strict blank-space ratio. Workflow: generate multiple candidates then do best-of-N selection.